Review of Tantus’s Echo Handle

The Tantus Echo Handle is a manifold experience that begs lots of explanation on my part.  I’ve been putting off this review for several reasons.  One, because I’ve been really enjoying my repeated trials of the toy and have found new things I like about it during each use, two, because the overall process of acquiring this toy was a bit of a bear and I wanted to find a useful way to incorporate it into my blog.

Tantus Echo Handle

I bought the Echo Handle as a grab bag item which was part of an additional Tantus promotion on their website.  Word to the wise: follow Tantus’s social media, because they very frequently have awesome sales going on.  The “grab bag” option, though, is an ongoing deal Tantus offers where they use whatever leftover silicone from previous toy pours to make toys in random colors.  This provides less picky customers with an affordable product.  I thought I was one of those “less picky” customers.  I thought there was no possible color that a random color option could go wrong.  Clear, brown, red…a swirly mess resembling a tutti frutti jellybean, whatever, I thought I would be happy with it.  Especially when I  had seen the Echo Handle grab bag item my fellow Business of Blogging classmate received as part of our class review assignment.  It seemed as though several reviewers had gotten awesome color combinations in their grab bags (just Google “Echo Handle” and “grab bag” and you’ll see what I mean), so I was super hopeful for something awesome.

Coming Out Amy’s Echo Handle

What came in the mail was a paler version of the slime from Ghostbusters 2, almost fleshy but too translucent to convince myself it was a realistic dil like my other Tantus favorites, the Mikey O2 and the Vamp.  I was already a bit sour after Tantus didn’t honor my promotional discount I tried to use via Dangerous Lilly’s website after I hastily clicked “submit” on my order, despite their not shipping or fulfilling the order until a full two weeks later (and adding insult to injury, making the order ship later than Tantus’s usual delivery dates).   I didn’t get to take my Echo Handle on vacation, and when I got home, I returned to see a really basic colored dildo with imperfections galore: excess silicone that needed cutting at the base of the handle, weird smudges that looked like fingerprints where shine should have been, and the grossest part was a fleck of black mystery material embedded in the silicone itself.   After stewing over it on social media, I decided to be a bit more mature and give Tantus the credit they are due as a reputable and responsive company and contacted them regarding my disappointment with the order.  I figured that even if I didn’t get a refund, an exchange, or anything of the like, it would open up some sort of dialogue with the company regarding this outlier in grab bag quality.

Black Inclusion in Tantus Toy
Featuring the mystery fleck, ~2mm under the silicone surface.

Tantus’s customer service response was exemplary. With true professionalism and empathy, Kimberly (their Customer Service Representative) apologized for each complaint I offered (which I did so in much more constructive terms than the ranty tantrums provided above), and two weeks later I had a new Echo Handle shipped to me free of charge.  Kimberly promised Tantus would ensure they would use colors marbled from a vibrant pour, and I got a rich dark chocolate brown fading into black mixed with a pinkish red.  The thing looks like a cross between a truffle and some sort of wooden staff.  It is absolutely gorgeous and truly unique.  I’ve seen a lot of pinks and blues and greens and yellows, but never a color combination as nuanced as this.  Tantus really seemed to have put a lot of thought into this pour.  And for someone like me who is so obsessed with the aesthetics of sex toys, particularly when the Echo Handle is already such a visually unique item, the new colors I received complimented the shape of it perfectly.

Tantus Echo Handle

Now, onto the functionality and feel of it all.  The Echo Handle is a solid toy. Not solid as in firm, although the toy offers Tantus’s traditional firmness of the silicone you might find in the Vamp or other basic models, but solid as in a structurally sound, well thought out piece.  It has flop, which is sort of part and parcel to the physics of having an 11 inch long toy (7 inches insertable) molded with a grippable handle that allows you to whip it around like Ivy’s snake sword from Soulcalibur.  The texture of the handle is subtle but genius, tiny pits mixed with the actual divots molded for your fingers keep the handle from getting slippery with lube. It’s so deliberately brilliant, because think about it, if Tantus just made the handle matte in contrast to the rest of the Echo’s shine, it would still get slimy with lube and lose grip.  The pitted surface makes for a perfect texture combined with the finger moldings.

Handle of the Tantus Echo Handle

The space between the handle and the dildo itself is also relatively bendy, allowing me to reposition my usage without pushing the dildo into any uncomfortable angles while it’s already inside of me.  This flexibility is wonderful for my partner when he fucks me with it, as he can adjust his body for comfort while he penetrates me with the Echo Handle and it doesn’t make it pop out of me.   And the insertable part?  Oh my god.  I’ve never been a huge fan of textured dildos aside from a bent or bulged tip, but these repeated ridges are fucking glorious.  Every single thrust is a new opportunity for g-spot stimulation.  The girth combined with the ridges and generous length stimulates my vaginal opening…you know that feeling you get right as something’s being pushed inside you?  Right before you get to the pressure of the fullness?  Yeah, somehow the Echo gives you THAT sensation combined WITH the fullness and my brain can’t understand it.

It just feels delicious, and the simplicity of achieving that sensation with the handle makes this all so accessible.  It makes the thrusting and the grip so easy.  It makes me come almost too fast, and I love that my fingers don’t have to cramp up forming a death claw around a flimsy base on a short dildo. Cleanup is boil, bleach, top-rack dishwasher, towel dry, or swing around water droplets at your partner screaming “THE POWER OF CHRIST COMPELS YOU” to terrify them, whatever.  The Echo Handle can also stand up on its own if you balance it verrrrry delicately and no strong winds blow by.  All in all I am really pleased with the Echo Handle’s design, and if you truly don’t care about the color (look deep into your heart, because I thought I was among that population once), the grab bag is a wonderful option to get your hands on a great toy at an unbeatable price point.

Now the gods grew quite scared of our strength and defiance…

and Thor said, “I’m gonna kill ’em all with my hammer, like I killed the giants.”

As part of our Business of Blogging course with Epiphora and JoEllen Notte (The Redhead Bedhead) this past spring, my fellow bloggers and I were given the task of coming up with an origin story…something that encapsulated our desires to blog about sex, sexuality, identity, toys, and all the other delightful things we write about on a regular basis.  I loved this assignment so much; it gave each member of our cohort such unique opportunities to express our backgrounds in so many different formats.  It was a delightful way to learn about each other and I had tons of fun writing it.  So here it is, in all its unedited glory:


The concept of an “Origin Story” has put Hedwig and the Angry Inch’s “Origin of Love” in my head on a loop all week with the simultaneous imagery of Weapon X from the Marvel universe (Uncanny X-men story arc ALWAYS).  And I’ve sort of been traversing head and heart for my story.  Do I illustrate a mosaic of snapshots from my life with a lens covered in more vaseline than RuPaul’s Drag Race seasons 1 and 2?  Do I pick one cathartic moment and deconstruct that in order to respect its own value as life is full of origin stories?  And then I realized my “Origin Story” had been staring me in the face the whole time.  Hedwig and X-men.  So what’s the connection to blogging, toys, my passions for sex education, sexual self-discovery and exploration?

First of all, I had discovered both Hedwig and the Angry Inch and X-men comics at hugely transformative stages of my life.  I was around 7 years old when X-men entered my life.  It was one of the first cartoons I ever really engaged with, the first arcade game I punched rolls of quarters into, the first comic series I began reading, and Goddess help me, when that 1994 Fleer Trading Card Series came out, the first thing I had ever began collecting feverishly (I still have every card, mint condition, in a plastic binder on my bookshelf).

Autosave-File vom d-lab2/3 der AgfaPhoto GmbH
That wig was the WORST.

I understood the higher value of the foil cards that shimmered with their metallic colors, the importance of collecting every card for the triptych stories in order to get the full picture, and I also loved talking about collecting these cards with other kids.  It reminds me a lot of my sex toy collecting now.  Between my highest quality “gets,” to fawning over other collectors’ toy displays, to wishing for those “rares” that were in such limited production that even if I didn’t want them, I NEEDED them, my appreciation for the different artists and aesthetics in the ’94 Fleer Set was really precocious for a 9 year old kid.

The characters in X-men have also been an evolving (see what I did there?) inspiration throughout my life.  As a child, I dressed up as Storm for Halloween one year and Jubilee the next.  In my preteen years, X-men gave me an immense respect for powerful women, but simultaneously allowed me to eroticize them, as my first fantasies as a kid were Psylocke and Polaris.  Purple and green is still my favorite color combination, go figure.  As I got older, and began to understand the political context behind X-men as mutant “others” and my own morphing (again, X-men puns) LGBTQ identity, I saw these characters less as fictional impossibilities and more as realistic role models than most celebrities in early 2000’s culture.

When the live action movies began coming out, I sort of twinged at their “artistic license” with the canon, but was really excited that they were getting more people interested in X-men…people that previously may not have considered themselves “comic folk” or “superhero affiliated.”  It’s sort of like how Sex and the City and Fifty Shades of Grey are all types of frustrating and problematic as introductions to sex toys, but they create dialogue among audiences that might never have happened, and that is something of merit.  I was also really jazzed that Bryan Singer, one of the directors for several of the movies, was openly bisexual until I heard about all the cases of sexual abuse filed against him.  My heart dropped.  As a survivor of childhood sexual abuse, it created a lot of conflict as to whether I wanted to continue supporting X-men films, where that would compromise my ethics, or if it might trigger me along the way.

I liken this a lot to my immediate knee-jerk reactions to companies like JimmyJane affiliating themselves with larger, “morally corrupt” corporations like Pipedream or concurrently wondering why She-Vibe continues to stock JimmyJane products.  I see that when inserting my own personal narrative into someone else’s decisions without understanding the individual perspectives of everyone involved, it is really difficult to control my emotional reactions.  I couldn’t rationalize any positives in the X-men films, for example, Anna Paquin, who is also openly bisexual and a proactive figure within several advocacy groups, and I was quick to write off an X-men movie if Bryan Singer had any affiliation with it.  So this is definitely an ongoing battle of mediating my own impulse to “throw the baby out with the bathwater,” which is something that will require extensive work if my blogging aims to explore sociopolitical subtexts behind the production and promotion of sex toys.

Autosave-File vom d-lab2/3 der AgfaPhoto GmbH
Yup. This was a thing. This was absolutely a thing.

Where the X-men had jumpstarted my sexual exploration in childhood and LGBTQ affiliations in teen years, Hedwig and the Angry inch engaged my sensitivity to self in terms of love, mental well-being, and using my “rebel roots” to connect with people instead of isolating.  My early angsty teens were fueled by punk rock, Ani Difranco, and a complete transformation into masculine-leaning androgyny.  I hadn’t begun identifying as genderqueer, but after seeing Hedwig in my best friend’s living room my sophomore year, I learned that just like my fluid understandings of gender, my ideas of appearing “hard” and “soft” to people were equally blurry.  It became the pitch for my sex education from undergrad onward: because I looked “alternative,” I was actually “accessible.”  People would understand that I wasn’t judging them because I was probably always being judged.  Hedwig taught me to embrace my vulnerabilities in praxis, that I’m not going to get anywhere in life without taking risks, and that mistakes are a part of the process.

But most of all, Hedwig taught me love in a profound way.  I learned about love as a spiritual process, love as a means of connecting to people, love as a foundation for creation, love as the element that runs through everything we do as humans.  And today, it still holds true.  Every paper I have written, every thesis, practicum, or capstone I have ever worked on has emphasized the importance of love in your work.  It is the great equalizer in that it is indefinable and yet always felt in some form.  I use love in how I teach students, how I work with clients in therapy, I am using love right now in how I write this entry.  It is nebulous, explosive of time and space, heady yet simple, spectral beyond anything narrowed down to a “concept.”  I still write anonymous letters to randomized addresses I find from telling people “I have no idea who you are, but you are beautiful and I love you.”  It’s worth doing.  Love makes this all worth doing.

Fifteen years after watching it in her living room, my best friend and I finally got to see Hedwig on Broadway. With Taye Diggs, no less! <3

Reflecting on X-men and Hedwig and the Angry Inch, I think not only of Stan Lee and John Cameron Mitchell, but everyone else that has had input in the creation and writing of these stories.  These stories are rich with value, complexity in symbolism that are universal enough that almost anyone can connect with them, but nuanced enough that they are not two-dimensional and individuals can take away different messages.  These writers are absolutely brilliant at their craft and it takes a network of support and years of effort to achieve such excellence.  But they are also unique as human beings, they had their own “Origin Stories” to bring them to writing.

Everyone has an origin story, if not one, than many, or even infinite.  Some may say every moment is a new opportunity for an origin story.  I am curious to hear yours, if you’d be willing to share.  If you click on this entry, it will take you to the post where you can add your comments, or you can email me or even chat with me in real time via IRC.



With love,


Reflections on Sobriety, Relationships, and Self

Please be aware of the “content” in this entry before you continue reading.  (I still don’t know how I feel about the labels “Trigger” or even “Warning,” because they can sometimes be alarmist and also paint my authenticity as negative.  If anyone has suggestions for how to label blog posts with sensitive topic material, please let me know.)  This entry is going to deal with some of my histories with addiction, substance abuse, emotional abuse, and my current relationship with sobriety.

So I made my official decision to stop drinking and using cannabis around Labor Day of last year. I am hesitant to scroll through text messages to figure out the exact day because I don’t want to quantify my sobriety in terms of an anniversary. I’ve found that sobriety, much like many other things in my life, has been a very fluid, spectral concept.  I know it is not always this way with other people and it may not always be this way during my trajectory. Growing up in a music scene that was heavily populated by straight-edge folks, I know that some may frown upon what appears to be a lack of commitment, but the ideologies behind abstinence make me really squirmy.

I decided to stop drinking as a response to many years of binge events, nights where I would use alcohol to allay social anxiety but instead I would turn into a monstrously abusive person. When drunk, not tipsy, not buzzed, but full-on hammered, I would become so reckless that I picked verbal fights with loved ones, had sex with people without even learning their names, drove drunk, pissed in public (my first experience at age 15 was on a cop car in Spain after downing a pint of vodka), threw up, chain smoked, and did virtually anything I could think of to be the center of attention.


shotglass jameson
This shot glass never got washed because it was constantly in use.

My first year at undergrad, I was on the planning committee for one of the biggest LGBTQ events of the semester, and I ended up getting alcohol poisoning before the dance even started. I was one of a dozen students that ended up being hospitalized for acute alcohol intoxication, and DIVA Night was cancelled for almost a decade following this incident. So many people from my Pride Alliance, the Women’s and Gender Studies Department, and other feminist organizations I was a part of were commenting on how, if you needed to be that drunk for a night based in Drag and “gender-bending,” you clearly had some insecurities about attending an LGBTQ event. Even more humiliating, a fellow student had filmed me getting carried out of my dorm in a stretcher into the ambulance, and used it for her documentary about DIVA night. So there I was, outed to these organizations I was a part of, a queer kid with a drinking problem whose irresponsibility had now been lumped in with speculations of internalized homophobia.

collection of bowls in college
The “Gay House” bowl collection, 2003.

And I did nothing to improve my reputation. I moved out of the dorms to the LGBTQ off-campus housing, which was a huge deal because I was a freshman living with all seniors, and we ended up being one of the bigger stoner houses in our complex. I lived in LGBTQ houses for the rest of my years in undergrad, carrying the stoner reputation with me in my social life, battling a brief cocaine addiction in my antisocial life, and drinking what I thought were normal amounts according to college standards. I mean, I hung out with kids who had a phrase called “Puke and Rally,” where you kept drinking even after throwing up.  Drinking to the point of vomiting once a month is totally normal, right?

microbrew sideproject fruit
A fruit Belgian side-project we named “Queer Beer.”

College ended, and the local microbrew scene greeted me with open arms when I moved back home. My dad and I began brewing our own beer and we enrolled in our local pub’s beer program, where you had to drink every kind of beer they offered in order to win all sorts of points, perks, and prizes. All my friends became obsessed with this pub, which I had been eating at since I was a small child. I became really chummy with the owners and staff…I even got a tattoo of their logo on my forearm one drunken night in my basement by a guy I was buying weed from and cheating on my current partner with. Most of the beers there were high ABV (alcohol percentage), and I would still chug them like they were Bud Light. I did gain an appreciation and knowledge of different beers (along with 30 pounds), but it was mostly just an excuse to binge drink three times a week, go to my friends house down the street to smoke weed, and attempt a very foggy drive home. How I have lived my life without any DUIs is an absolute blessing beyond comprehension.


tattoo of pub logo
I went right from getting the tattoo to showing it off at the bar.  Ugh…
beer flight sampler
Flights were a personal favorite when I was the designated driver.

When I moved to California for six months, I began to develop a completely new relationship with cannabis, using it medically to replace my prescriptions for insomnia and anxiety. I found that by smoking, I rarely drank alcohol, and my cannabis use was also relatively infrequent (maybe once or twice a week if I was having a tough time sleeping or had a big social event in San Francisco). The level of responsibility and accuracy of treatment, plus the attitudes of my friends around me towards cannabis was totally foreign. It was no longer a substance to abuse, but a medium to titrate in order to regulate daily life. I don’t want to glorify it, there were certainly still people abusing cannabis in California, but the general attitudes were much more mature than anything I had ever experienced on the East Coast. When I moved back home to Jersey, I brought what little of my prescribed cannabis I had left and lived off of that until it was gone. I will not buy anything illegally here, mostly because I have no idea what strains I am smoking or whether it is benefitting my mental state, but also because a lot of the mindset around here still treats cannabis like a fucking novelty. It has its place for recreation, I understand, but I can’t be around people who use it like that given my efforts towards sobriety and clearer thinking.

dog bowl weed beer
I used to glorify my substance abuse by trying to take “artsy” pictures.

So if I were to ever start using medical cannabis again… would that mean I was no longer sober? I’m not sure. I was able to maintain self-awareness and was never abusive when using medical cannabis. At my SMART meetings, they tell us that if we are on psych meds, it is absolutely acceptable. I had to take Norco (an opioid) during my back surgery, and I did so responsibly. There is a difference between using chemicals as medicine and as an escape. When I think of my sobriety, I think of a very strong mindfulness that comes with levels of responsibility to myself and others.

What I do know is that I am not abusive when I am sober. That is the only sure thing I understand so far. Living a sober life these past ten months has taught me new introspection, new methods of social interaction, given me new confidence, and kept my anger at bay. Most importantly, sober life has saved my relationship with my primary partner. Where we spent every night drinking and every weekend drunk, frequently blowing up these intoxicated evenings into fights and days of not talking, my partner and I communicate more now than I have in any previous relationships (poly family excluded, they have been outstanding communicators). We emotionally process each other’s feelings now, we slow the pace of our conversations, and we check our assumptions.

keurig cup post it
We also drink inhuman amounts of coffee, tea, and seltzer.

During these ten months I have had a drink or two, and I don’t consider it a “fall from the wagon.” I have enjoyed a nice glass of red wine with my family for my father’s 60th, and I definitely had a Manhattan to honor the death of my grandma who drank one before her evening programs until the day she died. My beautiful partners in Philadelphia made me a soul-warming Hot Toddy for Boxing Day with their family. These have been significant moments with what I consider libations in the most fundamental sense of the word. I have not consumed these drinks for the sake of intoxication, but rather to honor the moment and its rarity in my ongoing commitment to remain sober for the sake of myself and the ones I love.

I still pee in public these days, but with a much more discerning eye, and usually with a functional objective rather than drunkenly marking my territory.

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